Credit to Kazi and Debi for use of
photos in this graphic

designbyJudith

Tipton's Vein of Silver

Pam Richardson

Waking the birds  
With a song so sweet and thrilling

Should've made a killing  
But the cards were all wrong  
It's all said and done  
Your story reads like fiction
A walking contradiction afire

Handsome and tall
Standing out amongst the others
Your sisters and your brothers
wish you'd never left home
A gift and a prayer
And a voice like running water
Don't you think you ought to slow down

Pam Richardson wrote
and sings this song about
Harold Eugene Clark.
 It's a heart felt and
beautiful portrayal of  
her feeling  for Gene.
Thank you for allowing
it to be posted here.


If you'd like to hear
this song you may 
download it and listen
here.  

Tipton's Vein of Silver

Angel of words
Gone unheard for so many years
So this song's for you
And I sing it very softly
This song for Harold Eugene

Illumination
A pure and inner brilliance
Affable resilience
When you hit their brick walls
Try this, try that
But the muse needs constant feeding
She's getting what you're needing tonight

Train whistle blow
Off you go to some mise-en-scene
So pour me a strong one
How I wish it made a difference,
this song for Harold Eugene

Hollywood burning
Till you learn it's not so starry
Fade to sad and sorry
It's the country in you
Just when you thought
you had it all, you got it coming
Hit the ground running away

Who could've seen
that the end was fast in coming
The song that you were strumming
Was it all just a dream
Now you're a genius, oh the eulogies they give you
I guess that would give you a laugh

Somebody knows
So don't suppose it was wasted
And I catch your tears
in the inkwell as I'm writing
this song for Harold Eugene

Blow, cold winds, blow
Don't you know how we miss you
So rest your sweet soul
and I'll try to sing it pretty
This song for Harold Eugene

Blow, cold winds, blow
I hope you know how we miss you
So rest your sweet soul
and I'll try to do justice
to this song for Harold Eugene

A trip to Tipton, Missouri the weekend of August 12 precipitated this post from Pam...
OK, bear with me! I wanted to keep this short, but I simply can't. Today's essay is about our weekend in Tipton and the ensuing joy … ahem! …

We were (and still are) the Scruffy Rogues of Moniteau County, a.k.a. the Tipton Seven. Having gathered at Sister's Deli from such far-flung ports as Japan … California … Canada … Colorado … Chicago … and Centralia, Missouri (!), the cast of characters included, in no particular order:

Debi "Lady of the Waay-Up North" McGee, the social coordinator and pinup girl of the Seven (this determined by the overwhelming consensus of the local Tipton boys);

Elyzabeth "There's Something About the Pancake" Musser, the anecdotist and possessor of most amazing tales;

Norm "Joker's Wild" Batchelder, the humorist, bassist and provider of the all-important CD player (hi-ho Silvertone!);

Alan "Number One in a Hundred and One" Lybarger, the brains of the outfit with bootlegs to be wanderin', having scouted out the Skylight Bar (a user-friendly base for our operations);

Kazi & Keiko "Eight Miles High and Better Late than Never" Goda, the International Goodwill Ambassadors - Kazi, the mandolinist extraordinaire; and Keiko, bearer of fine exotic cookies;

And myself, Pam "Turn Turn Turn Signal" Richardson, the farsighted but sincere navigator and provider of musical instruments, some of which she can even play herself!

I arrived in the vicinity of Columbia, MO, Friday afternoon and decided, rather than immediately checking in at my hotel, to go ahead and blaze the trail (I am the navigator, after all!). So I cut over to 50W, which took me to Tipton (song playing in car as I arrived: "With Care From Someone" -- and I must mention, there's nothing quite like listening to Gene Clark while cruising through the hills of Missouri!). I found Sister's Deli, where we would meet Saturday morning, and then continued on till I finally found the small gravel road leading up to St. Andrew's Cemetery. I was pleased when I saw the cemetery - it's so peaceful and lovely. Very small, well kept, off the road and up on a hill. I started walking around, trying to find the grave … I walked straight toward it but missed it the first time (I was looking for something bigger, I don't know why). I went around to the back of the cemetery and scanned the stones … then I spotted one with "CLARK" on the back, situated near a cluster of pines. I'd seen pictures of it, but it still was so moving to actually see it. It's hard to put into words how I felt, standing there alone after my long drive from Chicago, beautiful summer afternoon, sun just starting to move lower in the sky … hot, slightly hazy, the rolling green hills of Ozark country all around … and lotsa corn! ("Fields of corn on early summer mornings or late afternoon … ") And I cried - quite a bit, really - and I started to sing the song I wrote for him, a cappella. Then there was a nice little bit o' timing: As I reached a line in the song about "train whistle blow", the Kansas City Southern went through the town below, whistle blowing as if on cue! This made me laugh, but I finished the song anyway! I stayed a little while longer … I can't stress enough what a sweet and peaceful spot it is, it's perfect, so "Gene". I truly understand why he wanted to be brought back there.

Norm (who lives in Centralia, about 20 miles north of Columbia) was kind enough to call me at my hotel that evening and introduce himself. (I was hoping I was making sense on the phone! I was quite overwhelmed between my long drive and my emotional afternoon.) The next morning, the two of us drove caravan style to Sister's, where we met up with Alan, Debi and Elyzabeth. We chatted for awhile, then just before noon decided to find another place to congregate. Alan had the brilliant idea of finding a bar where we could play CDs. He checked around and found the Skylight, a typical small town Southern watering hole - two long rooms, one that housed the bar itself, the other a long, empty room with a small stage at the back. The Scruffy Rogues proceeded to take over the second room - and there we remained, through the morning, through the night. The Skylight's air conditioning was largely ineffectual against the relentless heat, so doors were left open, large noisy fans were blowing, and past our window the Kansas City Southern shared the rails with Amtrak off and on throughout the day … and for the next ten hours or so, Gene's music spilled into the dusty street.

And we all got to know each other, and we felt as if we'd known each other for years. We shared drinks and talked about how we each first discovered Gene, we shared other life stories funny and sad, good and bad, triumphs and doubts … fine lines, jokes, art, photos of beautiful children … We took lots of pictures, we toasted Gene, we toasted the GC List, we wished Cheryl a speedy recovery … throughout the festivities stopping occasionally to sigh over a particular lyric or song styling meaningful to one or all. Kazi and Keiko finally arrived later in the afternoon … more drinks, more pictures, quick, order some pub grub so we can keep drinking!

Then it was time to jam, and the folks at the Skylight decided that we should set up on the stage; and the denizens moved from the bar into the room to hear us crank out a few ragged but right Genesongs. (The Tipton Seven, live at the Skylight - entertaining tens of people!!) Kazi had had the foresight to print out lyric and chord sheets. Unfortunately, I was unable to make use of them, due to a combination of farsightedness and low lighting! So I faked it on guitar, Kazi added elegant mandolin runs here and there, prettying up my very basic rhythm thrashing … and really, all things considered, it wasn't half bad. Everyone was in fine voice (and don't let a certain coupla members tell you they can't sing!), and we had a grand time of it.

So there we were, the sun had long since set, the moon was out, not quite full but big and bright … and the navigator decides it's time to go to the cemetery RIGHT NOW! I led the way, Norm was my co-pilot, and after a couple of erroneous clicks of my left turn signal (sorry about that, gang!), I found the road. (What can I say? Everything looks so different in the dark with a few vodkas in one's system!) And we spent some time with Gene in the moonlight, the peace and quiet of a summer night in the country, confusing fireflies and meteor showers, who cares, it was beautiful … "just to dance beneath the diamond sky with one hand waving free … "

Sunday morning, we met again at Sister's, then we set out for the cemetery one more time. Elyzabeth had brought some wine for us to share, and we each did what we wanted and needed to do, be it ceremony, thoughts, tears - all basking in new friendships already well-founded and mellowed with something we've shared so many years without knowing it. The guitar came out again, and we ran through a few more songs: "Here Without You"; I played my song again; "Hear the Wind"; "One in a Hundred".

And now it was getting late, well past noon. I knew I needed to get on the road back to Chicago, but damned if Alan and Kazi didn't start singing "My Marie" … well, I couldn't very well leave without finishing the song with 'em, now, could I?? One more, let's play one more, just one more … ahhh, it was sooooooo hard to leave! Hugs and promises to keep in touch, and YES, let's do it again, PLEASE!

I drove away blasting "Past Addresses", and my new-old-old-new friends all waved … my six cohorts, all warm, friendly, charming, open and generous, much like Gene himself.

And I know Gene must be smiling big-time … And I thought, if we keep going at this rate, we'll completely tear down that understated melancholy aura that's always surrounded him. That's right, Gene, you can kiss that'un goodbye, mate!

Don't you come down
You know you're the one
Looking at tomorrow
Let your troubles fade and fly into the sun …

- Pam

 

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